La Revue Blanche - Pierre Bonnard
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Description
A 1894 lithographic poster by Pierre Bonnard for the Parisian magazine La Revue Blanche, featuring bold silhouettes and a distinctive graphic style.
Pierre Bonnard created this lithographic poster in 1894 to advertise the Parisian literary and artistic magazine, La Revue Blanche. The composition reflects the influence of Japanese woodblock prints, which were popular among the Nabis group of artists at the time. Bonnard employs a flattened perspective and bold, graphic silhouettes to capture the attention of the passerby on the streets of Paris.
The central figure is a woman dressed in a voluminous dark coat and a large hat, her face partially obscured by shadow. She holds a copy of the magazine, which serves as a subtle advertisement within the image itself. Beside her, a small child or figure appears in a more whimsical, sketch-like style, providing a contrast to the heavy, dark mass of the woman's attire. The background is filled with a repetitive, wallpaper-like pattern of the magazine's title, which creates a sense of texture and depth without relying on traditional modelling.
Bonnard uses a limited palette of black, dark brown, and cream, allowing the stark contrast to define the forms. The typography is integrated into the design, with the large, hand-drawn letters of the title anchoring the bottom of the frame. This work demonstrates the artist's ability to balance commercial requirements with his own stylistic preferences. The poster does not merely inform the viewer of the publication's existence, but rather evokes the atmosphere of the bohemian circles that the magazine represented. By focusing on the silhouette and the graphic arrangement of text and image, Bonnard produces a piece that functions as both an effective advertisement and a distinct work of art.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
La Revue Blanche - Pierre Bonnard
Artist Biography
Pierre Bonnard
Bonnard's intensely personal style, developed through close observation and a deep connection to his surroundings, often featured his wife, Marthe de Méligny, as a recurring muse. His exploration of memory and sensation, evident in works such as 'Nude in the Bath' (1925), elevates the mundane to the sublime. Though sometimes labelled an Intimist, his artistic ambition extended far beyond mere depictions of private life, seeking to capture the very essence of lived experience.
Despite initial recognition, Bonnard's reputation waned in the mid-20th century as abstraction gained prominence. However, his unique vision and masterful use of colour have since been rightfully reassessed. Today, Pierre Bonnard is recognised as a major force in modern art, whose paintings offer a profound meditation on beauty, memory, and the quiet poetry of everyday existence. His art prints bring a touch of French modernism to any space.
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