Landschappen met mangobomen, kokos- en palmbomen - Romeyn de Hooghe
Archival giclée
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Description
A detailed seventeenth-century botanical engraving by Romeyn de Hooghe, documenting mango and palm tree species in the East Indies.
This print by Romeyn de Hooghe originates from the late seventeenth century, a period when European interest in the natural history of the East Indies grew significantly. De Hooghe, a prolific Dutch engraver, produced these plates to document exotic flora for scientific and colonial records. The work is divided into two distinct panels, each providing a systematic view of tropical vegetation.
The left panel focuses on the cultivation of mango trees. It depicts figures interacting with the trees, including a person on a ladder harvesting fruit, alongside ground-level agricultural activity. The right panel presents a variety of palm species, including coconut and other indigenous varieties. Both sections feature numbered keys, which correspond to descriptive text in the original publication, allowing the viewer to identify specific botanical specimens.
The style is characteristic of seventeenth-century scientific illustration. The lines are precise and controlled, typical of the etching and engraving techniques used to convey botanical accuracy for printed volumes. The composition balances the human element with the natural environment, placing the trees within a recognisable, if stylised, tropical setting. The use of cross-hatching provides depth to the foliage and shadows, while the inclusion of small figures provides a sense of scale to the towering palms and fruit trees.
As a historical document, this print offers insight into how European observers categorised and visualised the natural world during the early modern era. It reflects the era's systematic approach to recording geography and botany, presented through the lens of Dutch maritime and colonial expansion. The work remains a fine example of the technical skill required to translate complex natural forms into clear, informative prints for a scholarly audience.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Landschappen met mangobomen, kokos- en palmbomen - Romeyn de Hooghe
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