Marcus Curius Dentatus Refusing the Gifts of the Samnites - Bernard Picart
Archival giclée
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Description
A fine etching by Bernard Picart after a drawing by Rembrandt, depicting the Roman statesman Marcus Curius Dentatus rejecting the gifts of the Samnites.
This etching by Bernard Picart reproduces a drawing by Rembrandt van Rijn, depicting the Roman statesman Marcus Curius Dentatus. The scene captures a moment of moral resolve: the Roman consul, seated by a hearth, rejects the lavish offerings presented by Samnite ambassadors. The composition focuses on the interaction between the figures, with the seated consul gesturing firmly away from the vessels held by the kneeling emissary.
Picart, a French engraver who spent much of his career in Amsterdam, was known for his technical skill in translating the tonal qualities of Dutch Golden Age drawings into print. The work demonstrates the influence of Rembrandt's approach to light and shadow, using cross-hatching to create depth within the interior space. The inscription at the base, 'Gravé par B. Picart d'apres le dessein de Rembrandt du Cabinet de Mr. Vilenbrock', confirms its provenance as part of a series documenting works held in private collections of the era.
Visually, the print relies on a monochromatic palette, typical of the period's reproductive engravings. The figures are rendered with expressive, fluid lines that mimic the spontaneity of the original sketch. The setting is sparse, directing the viewer's attention to the narrative tension between the figures. The use of light emanating from the left side of the composition creates a sense of drama, typical of the Baroque interest in chiaroscuro. This print offers a window into the eighteenth-century practice of disseminating master drawings through the medium of etching, allowing collectors to appreciate the compositions of earlier artists like Rembrandt.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Marcus Curius Dentatus Refusing the Gifts of the Samnites - Bernard Picart
Artist Biography
Bernard Picart
His work focuses on precise linework and mythological subjects. Picart moved away from the heavy styles of the previous century. He preferred clarity and proportion in his compositions. His etchings, such as "Althaea Putting the Fatal Log on the Fire" or his studies of antique gems, show a controlled hand. He often used vignettes and ornaments, including skulls and griffins, to frame larger narratives or to stand as independent decorative elements.
Modern collectors value Picart for his balance of classical themes and clean graphic sensibility. His prints work well in contemporary spaces because they offer historical depth without visual clutter. The monochrome compositions provide a sharp contrast for minimalist or traditional interiors. His focus on symbolic ornaments like the two-headed eagle or Mercury makes his work feel like a curated collection of curiosities for the home.
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