Mentor and Telemachus Falling into the Sea - Bernard Picart
Archival giclée
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Description
A dramatic 1732 etching by Bernard Picart illustrating a scene from the adventures of Telemachus, capturing the moment of escape into the sea.
This etching by Bernard Picart depicts a dramatic scene from the classical narrative of Telemachus, the son of Odysseus. The composition captures the moment Mentor, the wise guide, leaps with Telemachus from a rocky cliff into the sea to escape the influence of Cupid, who is visible hovering in the upper left. The work was produced as an illustration for the seventh book of Fénelon's 'Les Aventures de Télémaque', a popular literary work of the period that drew heavily upon Homeric themes.
Picart employs a sophisticated technique of cross-hatching and varied line weight to define the turbulent water, the craggy textures of the cliffside, and the flowing drapery of the figures. The scene is organised with a sense of theatrical motion, typical of the late Baroque period. The figures are suspended in mid-air, creating a dynamic diagonal movement that draws the eye from the upper right cliff down towards the churning waves below. In the background, a burning ship serves as a reminder of the danger the pair are fleeing. The inclusion of a small Cupid figure adds a mythological layer to the narrative, representing the emotional temptation that Mentor seeks to avoid for his charge.
As a master engraver, Picart demonstrates precision in his handling of light and shadow, using the white of the paper to suggest the foam of the sea and the highlights on the garments. The text at the bottom of the print provides the context for the action, explaining that Mentor, seeing their ship destroyed and fearing Telemachus might succumb to the power of love, chooses to cast them both into the ocean. This print is a fine example of eighteenth-century book illustration, where narrative clarity and technical skill were combined to bring classical literature to a wider audience.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Mentor and Telemachus Falling into the Sea - Bernard Picart
Artist Biography
Bernard Picart
His work focuses on precise linework and mythological subjects. Picart moved away from the heavy styles of the previous century. He preferred clarity and proportion in his compositions. His etchings, such as "Althaea Putting the Fatal Log on the Fire" or his studies of antique gems, show a controlled hand. He often used vignettes and ornaments, including skulls and griffins, to frame larger narratives or to stand as independent decorative elements.
Modern collectors value Picart for his balance of classical themes and clean graphic sensibility. His prints work well in contemporary spaces because they offer historical depth without visual clutter. The monochrome compositions provide a sharp contrast for minimalist or traditional interiors. His focus on symbolic ornaments like the two-headed eagle or Mercury makes his work feel like a curated collection of curiosities for the home.
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