Mercury Transforms Battus into Stone - Johann Wilhelm Baur
Archival giclée
Frames arrive ready to hang
Secure checkout
Made to order
Description
A detailed seventeenth-century etching by Johann Wilhelm Baur illustrating the mythological transformation of Battus by the god Mercury.
This etching by Johann Wilhelm Baur depicts a moment from Ovid's Metamorphoses, specifically the punishment of Battus by the god Mercury. According to the myth, Battus witnessed Mercury stealing the cattle of Admetus. Despite promising to keep the secret, Battus later betrayed the god, leading to his transformation into a touchstone. Baur captures the narrative with characteristic precision, placing the figures within a sprawling, rugged terrain that reflects his interest in topographical detail and classical storytelling.
Baur was a German artist who spent significant time in Italy, a period that shaped his approach to composition and light. His work often features small, animated figures set against expansive, atmospheric backgrounds. In this print, the contrast between the divine, youthful Mercury and the weathered, seated figure of Battus is clear. The etching technique allows for fine, descriptive lines that define the rocky outcrops and the textures of the clothing. The composition draws the eye across the scene, from the foreground interaction to the distant hills, creating a sense of scale typical of his graphic output.
As a practitioner of the Baroque style, Baur utilised the medium of etching to disseminate his narrative scenes to a wider audience. His ability to render complex mythological subjects with clarity and technical control made his prints popular among collectors of the seventeenth century. This work is an example of his skill in combining human drama with the natural environment, a hallmark of his approach to classical themes. The print remains a record of the period's fascination with Ovidian tales and the technical capabilities of the etching process during the early seventeenth century.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Mercury Transforms Battus into Stone - Johann Wilhelm Baur
Why Choose Us ?
Damage-free delivery guarantee
Fast Shipping
Museum-Quality Materials
You May Also Like

