Moon over an Autumn Moor - Kano Yukinobu
Archival giclée
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Description
A refined 16th-century Japanese painting by Kano Yukinobu, featuring autumn flora and a crescent moon on a gold leaf ground.
This work by Kano Yukinobu, a member of the influential Kano school of painting, presents a fan-shaped composition mounted as a hanging scroll. The imagery depicts an autumn moor, a traditional subject in Japanese art that evokes the changing seasons and the passage of time. The artist employs gold leaf as a ground, which provides a luminous surface for the delicate application of ink and mineral pigments.
To the right, a crescent moon emerges from behind a cloud, its form partially obscured to suggest distance and atmosphere. The foreground features a cluster of autumn grasses and flowers, rendered with precise brushwork that characterises the Kano style. The composition balances the expansive, reflective quality of the gold ground with the controlled, rhythmic placement of the flora. The fan shape itself is a deliberate artistic choice, often used in Japanese painting to create a self-contained world that encourages the viewer to focus on the specific details within the curved frame.
The mounting of the piece includes a dark blue textile border with a repeating floral pattern, which frames the central image and provides a visual contrast to the gold and muted tones of the painting. Kano Yukinobu, active during the mid-16th century, maintained the technical standards of his family lineage while adapting to the aesthetic preferences of the samurai class and the imperial court. This piece reflects the period's interest in nature, where the depiction of specific seasonal plants serves as a poetic reference to the natural world. The work remains a clear example of the decorative yet disciplined approach favoured by the Kano school, where the integration of ink wash techniques and metallic surfaces creates a sense of harmony and refinement.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Moon over an Autumn Moor - Kano Yukinobu
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