Noli Me Tangere - Gerard de Jode
Archival giclée
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Description
A detailed hand-coloured engraving by Gerard de Jode depicting the biblical Noli Me Tangere scene set within a formal sixteenth-century garden.
This hand-coloured engraving by Gerard de Jode depicts the biblical encounter between the resurrected Christ and Mary Magdalene. The scene is set within a structured, walled garden, a common motif in sixteenth-century Netherlandish art that blends theological narrative with contemporary horticultural design. Christ is shown holding a spade, a visual reference to the Gospel of John where Mary Magdalene initially mistakes him for a gardener.
De Jode, a prominent cartographer and printmaker based in Antwerp, produced this work as part of a larger series illustrating biblical events. The composition follows the conventions of the period, placing the figures in the foreground while a detailed townscape occupies the distance. The use of colour, applied by hand to the original monochrome engraving, adds a layer of descriptive detail to the garments and the surrounding flora. The Latin inscription at the base provides the scriptural context for the meeting, while the French text below offers a translation for the reader, reflecting the multilingual nature of the print market in the Low Countries during the late sixteenth century.
The figures are rendered with a focus on clear, legible gestures. Mary Magdalene kneels in a posture of reverence, her gaze fixed upon Christ, who stands with a calm, authoritative presence. The garden itself is divided into geometric beds, demonstrating the influence of formal garden planning on the visual arts of the era. The print serves as a record of both the religious iconography and the aesthetic preferences of the Northern Renaissance, capturing a moment of transition between the medieval tradition and the emerging naturalism of the Dutch Golden Age. This piece is a fine example of the technical precision found in Antwerp print workshops, where collaboration between engravers and publishers was essential to the dissemination of religious imagery across Europe.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Noli Me Tangere - Gerard de Jode
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