Oiso, from the series Fifty-three Stations of the Tokaido - Katsushika Hokusai
Archival giclée
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Description
A classic Ukiyo-e woodblock print by Katsushika Hokusai, depicting travellers at the Oiso station along the historic Tokaido road.
This woodblock print by Katsushika Hokusai depicts the post station of Oiso, a stop along the Tokaido road that connected Edo to Kyoto. The composition focuses on a large stone monument, the Tora-ga-ishi, which was a well-known landmark for travellers in the region. Hokusai places this stone at the centre of the frame, surrounded by figures in traditional travel attire, including straw hats and carrying packs. The scene captures the daily activity of the road, with pedestrians pausing near the monument.
Hokusai employs a clear, graphic style typical of his earlier print series. The use of flat colour planes and defined outlines creates a sense of order. The palette relies on soft greens, muted ochres, and pale pinks, which provide a sense of balance to the composition. The background features stylised trees and a simple fence, which frame the central subject without distracting from the human activity in the foreground. The print reflects the interest in travel and regional geography that defined the Ukiyo-e genre during the Edo period.
As a master of the woodblock medium, Hokusai demonstrates his ability to organise complex scenes into readable, balanced arrangements. The figures are rendered with economy, their postures suggesting the fatigue and movement associated with long-distance travel. This work provides a glimpse into the social history of Japan, documenting the infrastructure and customs of the Tokaido route. It remains a representative example of Hokusai's approach to genre subjects, where the landscape and the human element share equal importance in the narrative. The print is a fine example of the technical precision achieved by Japanese printmakers of the early nineteenth century, showcasing the collaborative process between artist, carver, and printer.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Oiso, from the series Fifty-three Stations of the Tokaido - Katsushika Hokusai
Artist Biography
Katsushika Hokusai
Throughout his prolific career, Hokusai produced thousands of prints, sketches and illustrated books. He continually reinvented his style and identity, even adopting over 30 different artist names as his work evolved. His bold compositions, innovative use of perspective and striking colour palettes redefined Japanese printmaking. Hokusai's famed series Thirty-Six Views of Mount Fuji showcases not just technical mastery, but a spiritual reverence for landscape and everyday life. His work depicted everything from serene rural scenes to mythological creatures and bustling cityscapes.
Hokusai's legacy transcended Japan, profoundly shaping Western art during the 19th century through the movement known as Japonisme. Artists like Monet, Van Gogh and Whistler drew direct inspiration from his compositions and sensibilities. Today, Hokusai is celebrated not only as one of Japan’s greatest artists, but as a bridge between Eastern and Western visual culture. His art continues to captivate modern audiences with its fluid lines, narrative depth and timeless exploration of the human connection to nature.
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