Portret van Ambrosius Plettenbergh - Theodor Matham
Archival giclée
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Description
A formal seventeenth-century engraving by Theodor Matham, depicting the portrait of Ambrosius Plettenbergh with accompanying biographical inscriptions.
This engraving by the Dutch artist Theodor Matham depicts Ambrosius Plettenbergh, a figure of the seventeenth century. The work is executed in the formal style characteristic of Dutch Golden Age portraiture, where the subject is presented within an oval frame, a common convention for commemorative prints of the period. Matham, a skilled engraver who trained under his father Adriaen Matham and later in Italy, demonstrates technical precision in his handling of the burin. The lines are fine and controlled, creating subtle gradations of tone that define the sitter's features and the texture of his clerical attire.
The composition is structured with a clear hierarchy. Plettenbergh is shown in a three-quarter view, his hand resting against his chest, a gesture often associated with sincerity or religious devotion. To his side, a crucifix stands on a small pedestal, reinforcing his ecclesiastical role. The oval frame is inscribed with Latin text detailing his life and death, while the base of the print features a lengthy passage in both Latin and Dutch. This inclusion of text serves to contextualise the sitter, providing a biographical record that was typical for such prints. The presence of small oil lamps at the base of the frame adds a symbolic layer, often representing the light of faith or the passage of time.
Matham's work captures the sobriety and intellectual rigour of the Dutch clerical class. The engraving is not merely a likeness but a structured presentation of identity, status, and belief. The clarity of the line work and the balanced arrangement of the elements reflect the disciplined approach of the period's printmakers. This piece offers a glimpse into the visual culture of the Netherlands during the mid-seventeenth century, where portraiture served as a primary means of documenting individuals within their social and religious spheres.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Portret van Ambrosius Plettenbergh - Theodor Matham
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