Presentation of the Head of Saigo to the Prince Arisogawa - Yamazaki Toshinobu
Archival giclée
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Description
A detailed Meiji-era woodblock triptych depicting the formal presentation of Saigo Takamori's head to Prince Arisogawa following the Satsuma Rebellion.
This woodblock print by Yamazaki Toshinobu depicts a specific moment following the Satsuma Rebellion, a conflict that concluded in 1877. The composition captures the formal presentation of the severed head of Saigo Takamori, the leader of the rebellion, to Prince Arisogawa Taruhito, the commander of the Imperial forces. The scene is rendered as a triptych, a common format for Meiji-era prints that allowed artists to document complex historical events on a larger scale.
The visual narrative focuses on the contrast between the traditional samurai ethos and the rapid modernisation of the Japanese military during the Meiji period. The figures are dressed in Western-style military uniforms, reflecting the adoption of European aesthetics and organisational structures by the Imperial government. The use of bold, saturated colours, particularly the reds of the curtains and the deep blues of the uniforms, is characteristic of the synthetic aniline dyes introduced to Japan during this era. These pigments allowed for a different aesthetic compared to the vegetable-based dyes of the Edo period.
Technically, the print demonstrates the precision of the woodblock medium, with clear outlines defining the figures and the architectural setting. The inclusion of text blocks, or cartouches, provides context for the viewer, identifying the key figures and the location of the event. This work functions as a visual record of a political transition, documenting the end of the samurai class and the consolidation of Imperial power. The composition is structured to guide the eye across the three panels, creating a sense of theatricality and gravity appropriate for the subject matter. It remains a significant example of how printmakers of the late nineteenth century engaged with contemporary news and political history.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Presentation of the Head of Saigo to the Prince Arisogawa - Yamazaki Toshinobu
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