Prince Genji Returning to His Palace where His Wife Awaits Him - Rekisentei Eiri
Archival giclée
Frames arrive ready to hang
Secure checkout
Made to order
Description
A classic Ukiyo-e woodblock print by Rekisentei Eiri, depicting figures in traditional Heian-period attire crossing a bridge.
This woodblock print by Rekisentei Eiri depicts a scene inspired by the Tale of Genji, a classic work of Japanese literature. The composition focuses on three figures, likely courtiers or attendants, moving across a wooden bridge structure. The artist employs the characteristic Ukiyo-e style of the late eighteenth century, prioritising clean lines and flat areas of colour to define the figures and their elaborate garments.
The figures are dressed in traditional Heian-period attire, featuring voluminous robes with patterned underskirts. Their faces are rendered with the stylised, elongated features common to the period, conveying a sense of refined composure. The background includes a stone wall, suggesting the exterior of a palace or estate, which provides a structural contrast to the fluid lines of the clothing. The use of a limited, balanced palette allows the viewer to focus on the interplay of shapes and the rhythmic repetition of the figures' postures.
Rekisentei Eiri was active during the late eighteenth century and is associated with the school of Chōbunsai Eishi. His work often explored themes from classical literature, adapting them for the contemporary audience of the Edo period. The print demonstrates the technical precision of the woodblock medium, where each colour block is carefully aligned to create the final image. The absence of deep perspective is typical of the period, as the artist prefers to arrange the subjects in a decorative, planar fashion. This print offers a glimpse into the aesthetic values of the time, where historical narratives were frequently reinterpreted through the lens of popular print culture. The attention to textile patterns and the precise rendering of the headgear reflect the artist's focus on the material culture of the aristocracy, even when presented in a stylised, accessible format.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Prince Genji Returning to His Palace where His Wife Awaits Him - Rekisentei Eiri
Why Choose Us ?
Damage-free delivery guarantee
Fast Shipping
Museum-Quality Materials
You May Also Like

