The Daruma Overcoat - Okumura Masanobu
Archival giclée
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Description
A refined Ukiyo-e woodblock print by Okumura Masanobu, depicting figures in a domestic setting with traditional attire.
This woodblock print by Okumura Masanobu belongs to the series Three Pictures of Harmony, or Waki sanpukutsui. Masanobu was a central figure in the development of Ukiyo-e during the mid-Edo period. He is credited with technical innovations in printmaking, including the use of perspective and the refinement of lacquer-style prints known as urushi-e. In this composition, the artist depicts figures engaged in a quiet, domestic activity. The central figure wears a haori, a traditional Japanese jacket, which is draped over the head in a manner reminiscent of the monk Daruma. This visual pun is a common trope in the period, blending religious iconography with contemporary fashion.
The print displays the characteristic line quality of the era, with fluid, controlled strokes defining the folds of the garments and the facial features of the subjects. The composition is balanced, using the vertical format to create a sense of harmony between the standing and seated figures. The colour palette is restrained, relying on soft ochres, muted greys, and black ink to create visual interest without overwhelming the viewer. The inclusion of text and seals provides historical context, identifying the series and the artist's studio. Masanobu's work often focused on the lives of townspeople and the aesthetic trends of the Yoshiwara district. This piece captures a moment of shared focus, as the figures examine a document or scroll together. The attention to textile patterns on the kimonos demonstrates the artist's interest in the material culture of 18th-century Japan. By combining traditional motifs with the daily lives of his contemporaries, Masanobu created works that were both accessible and technically sophisticated. This print remains a representative example of his contribution to the development of the woodblock medium before the widespread adoption of full-colour nishiki-e prints.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
The Daruma Overcoat - Okumura Masanobu
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