Pyrrhus, when a child, brought to Glaucias, king of Illyria, for protection - John Hall
Archival giclée
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Description
A detailed 1769 engraving by John Hall, depicting the historical narrative of the infant Pyrrhus seeking sanctuary with King Glaucias.
This engraving by John Hall, published in 1769, reproduces a history painting by Benjamin West. The scene depicts a narrative from Plutarch, where the infant Pyrrhus is presented to Glaucias, the king of Illyria, to seek sanctuary. The composition follows the conventions of eighteenth-century history painting, prioritising clear narrative action and classical architectural settings.
In the centre, the young child reaches towards the seated monarch, Glaucias, who appears contemplative. Surrounding them are various figures, including attendants and soldiers, whose gestures and postures direct the viewer's attention to the central interaction. The use of light and shadow creates a sense of depth, while the draped garments and Roman-inspired surroundings reflect the period's interest in antiquity. John Hall, a skilled engraver, captures the textures of the fabric and the musculature of the figures through precise line work and cross-hatching. This print was part of a broader effort to disseminate classical and historical subjects to a wider audience through the medium of high-quality engraving.
The work demonstrates the collaborative nature of the art market during the Georgian era, where painters and engravers worked in tandem to produce prints for collectors. The architectural elements, such as the columns and the vaulted ceiling, provide a formal backdrop that balances the emotional weight of the scene. The figures are arranged in a frieze-like manner, a common technique in Neoclassical art to maintain order and clarity. This piece offers an insight into the aesthetic values of the late eighteenth century, where historical narratives were used to explore themes of duty, protection, and political legitimacy. The print remains a record of the original painting by West, preserving the composition for study and appreciation.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Pyrrhus, when a child, brought to Glaucias, king of Illyria, for protection - John Hall
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