Ruitergevecht, de slag bij Castricum - Joannes Bemme
Archival giclée
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Description
A detailed etching by Joannes Bemme depicting the 1799 Battle of Castricum, capturing the intensity of cavalry combat and the chaos of the battlefield.
This etching by Joannes Bemme depicts the Battle of Castricum, a military engagement that occurred in October 1799 during the Anglo-Russian invasion of Holland. The composition captures the chaotic atmosphere of the conflict, focusing on a skirmish between cavalry units. In the foreground, mounted soldiers are engaged in active combat, while the mid-ground reveals the disarray of a supply train and infantry movements.
Bemme employs a sophisticated use of line to convey the texture of the smoke, the movement of the horses, and the rugged terrain of the Dutch countryside. The background features a burning structure, likely a farmhouse or mill, which provides a sense of scale and urgency to the scene. The billowing clouds of smoke dominate the upper portion of the print, creating a dramatic contrast with the detailed figures below.
As a Dutch artist working at the turn of the nineteenth century, Bemme was well-positioned to document the political instability of the Batavian Republic. This work functions as a visual record of the conflict, prioritising the depiction of tactical movement and the environmental impact of warfare. The etching technique allows for a high degree of precision, particularly in the rendering of the uniforms and the anatomical features of the horses. The print is a characteristic example of late eighteenth-century military illustration, where the focus remains on the narrative of the event rather than romanticised heroism. The artist manages to balance the expansive nature of the battlefield with the specific, individual actions of the soldiers, providing a comprehensive view of the engagement. The work remains a valuable historical document for those interested in the Napoleonic era and the military history of the Netherlands.
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Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
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- Dust gently with a soft, dry cloth
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Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Ruitergevecht, de slag bij Castricum - Joannes Bemme
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