Seated Woman (After Ludovico Carracci) - Bernard Picart
Archival giclée
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Description
A refined etching by Bernard Picart, reproducing a study of a seated woman by the Italian master Ludovico Carracci.
This print by Bernard Picart captures a contemplative figure, rendered with the precise line work characteristic of his reproductive engraving practice. The composition is based on a drawing by the Italian master Ludovico Carracci, which Picart accessed through the collection of Nicolaas van Uilenbroeck. The inscription at the base of the plate confirms this provenance, noting that the work was engraved by Picart after a design by Carracci.
The figure is depicted in a seated posture, her head resting pensively upon her hand. Her gaze is directed slightly away from the viewer, creating a sense of quiet introspection. Picart employs a system of parallel hatching and cross-hatching to define the volume of the drapery and the subtle shadows across the figure's form. The lines are controlled and rhythmic, following the contours of the fabric to suggest weight and texture. The figure sits upon a simple, block-like base, which anchors her within the frame and provides a clear sense of spatial orientation.
Picart was a highly skilled engraver who spent much of his career in Amsterdam, where he produced numerous prints after Old Master drawings. His ability to translate the fluid, spontaneous quality of a chalk or ink sketch into the more rigid medium of copperplate engraving is evident here. The print maintains the character of the original study, focusing on the anatomical structure and the emotional weight of the pose. The monochromatic palette, typical of eighteenth-century printmaking, allows the viewer to focus entirely on the draughtsmanship and the interplay of light and shadow across the surface. This piece offers a clear example of the European tradition of disseminating master drawings through the medium of print, allowing collectors and artists to study works that might otherwise remain in private cabinets.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Seated Woman (After Ludovico Carracci) - Bernard Picart
Artist Biography
Bernard Picart
His work focuses on precise linework and mythological subjects. Picart moved away from the heavy styles of the previous century. He preferred clarity and proportion in his compositions. His etchings, such as "Althaea Putting the Fatal Log on the Fire" or his studies of antique gems, show a controlled hand. He often used vignettes and ornaments, including skulls and griffins, to frame larger narratives or to stand as independent decorative elements.
Modern collectors value Picart for his balance of classical themes and clean graphic sensibility. His prints work well in contemporary spaces because they offer historical depth without visual clutter. The monochrome compositions provide a sharp contrast for minimalist or traditional interiors. His focus on symbolic ornaments like the two-headed eagle or Mercury makes his work feel like a curated collection of curiosities for the home.
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