Second Title Page from Neuw Grottesken Buch - Christoph Jamnitzer
Archival giclée
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Description
A detailed 1610 etching by Christoph Jamnitzer, featuring a whimsical market scene and elaborate grotesque cartouche from his Neuw Grottesken Buch.
This etching serves as the second title page for Christoph Jamnitzer's 'Neuw Grottesken Buch', a collection of designs published in Nuremberg in 1610. Jamnitzer, a member of a prominent family of goldsmiths, applied his expertise in metalwork to the medium of printmaking. The composition displays the characteristic playfulness of the Northern Mannerist style, blending architectural elements with fantastical, organic forms.
The upper portion features a large, elaborate cartouche containing the title text, framed by scrolling foliage and figures playing musical instruments. Below, the scene depicts a market stall where various curiosities are displayed. Figures in contemporary seventeenth-century attire interact with these objects, while others gather around a large basket filled with similar items. The scene is populated with small, whimsical creatures and decorative motifs that defy natural proportions, typical of the grotesque style popular during this period.
Jamnitzer's line work is precise, reflecting the technical discipline required for engraving and etching metal. The composition balances the structured text area with the more fluid, open space of the market scene. This print provides insight into the visual culture of the early seventeenth century, where the boundaries between fine art, craft, and the cabinet of curiosities were often blurred. The inclusion of the artist's name and the publication details within the cartouche confirms its function as a frontispiece, intended to introduce the viewer to the imaginative contents of the volume. The work remains a primary example of how printmakers of the era utilised the grotesque to explore themes of invention and artifice.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Second Title Page from Neuw Grottesken Buch - Christoph Jamnitzer
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