The Battle between the Israelites and the Hordes of Amalek - Jacob Savery I
Archival giclée
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Description
A detailed historical narrative scene depicting a biblical battle, rendered with the precision of late sixteenth-century Flemish miniature painting.
This work by Jacob Savery I depicts the biblical conflict between the Israelites and the Amalekites. Savery, a Flemish artist active during the late sixteenth century, employs a characteristic Mannerist approach to scale and perspective. The composition is divided into a foreground engagement and a distant, sprawling melee. A large, meticulously rendered tree dominates the left side, acting as a visual anchor that separates the immediate combatants from the wider field of battle.
The artist uses a high vantage point, allowing for the inclusion of numerous figures across the terrain. The soldiers are depicted in contemporary armour, a common practice in Northern European art of the period, which sought to bring biblical narratives into a familiar visual context. The palette relies on earthy greens and browns, punctuated by the brighter tones of the soldiers' tunics and cloaks. The application of gouache on vellum provides a smooth, luminous finish, typical of the miniature tradition that influenced Savery's output.
Savery's attention to detail is evident in the individual poses of the horses and the varied weaponry held by the infantry. The scene captures a moment of intense action, yet the overall arrangement remains ordered and decorative. The rolling hills in the background provide a sense of depth, leading the eye toward the horizon where smaller groups of soldiers continue the fray. This piece reflects the interest in complex, multi-figure compositions that occupied many artists of the Dutch and Flemish schools during this era. It is a fine example of the technical precision found in late sixteenth-century works on vellum, where the artist balances the demands of narrative clarity with the aesthetic requirements of the medium.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
The Battle between the Israelites and the Hordes of Amalek - Jacob Savery I
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