The Dam of S. Antoine Outside of Amsterdam Breaks on March 5, 1651 - Bernard Picart
Archival giclée
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Description
A detailed historical etching by Bernard Picart capturing the dramatic breach of the Saint Antoine dike near Amsterdam in 1651.
This etching by Bernard Picart depicts the catastrophic breach of the Saint Antoine dike near Amsterdam, an event that occurred on 5 March 1651. Picart, a French engraver who spent much of his career in the Netherlands, demonstrates his technical precision through the use of varied line weights to convey the turbulent movement of water and the dramatic atmospheric conditions of the storm. The composition is divided between the chaotic, rushing torrent of the floodwaters in the foreground and the distant, threatened structures of the Dutch countryside.
In the upper right, figures are positioned on a rocky outcrop, observing the disaster with a sense of urgency. The sky is rendered with heavy, cross-hatched lines, suggesting a dark, tempestuous mood typical of seventeenth-century Dutch disaster imagery. Picart employs a high-contrast approach, using deep blacks to define the shadows of the rocks and the churning water, while leaving areas of the paper blank to represent the white foam and spray of the deluge. The work functions as a historical record of a specific environmental crisis, capturing the vulnerability of the low-lying Dutch landscape to the power of the sea.
Picart was known for his ability to translate complex narratives into visual form, often working on large-scale projects that documented religious ceremonies or historical occurrences. This print reflects the period's interest in natural phenomena and the documentation of public events. The inclusion of the title in French at the bottom of the plate confirms its purpose as a commemorative or informative image intended for a wider audience. The composition balances the raw energy of the flood with the structured, orderly depiction of the distant buildings, providing a clear contrast between the forces of nature and human habitation.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
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- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
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Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
The Dam of S. Antoine Outside of Amsterdam Breaks on March 5, 1651 - Bernard Picart
Artist Biography
Bernard Picart
His work focuses on precise linework and mythological subjects. Picart moved away from the heavy styles of the previous century. He preferred clarity and proportion in his compositions. His etchings, such as "Althaea Putting the Fatal Log on the Fire" or his studies of antique gems, show a controlled hand. He often used vignettes and ornaments, including skulls and griffins, to frame larger narratives or to stand as independent decorative elements.
Modern collectors value Picart for his balance of classical themes and clean graphic sensibility. His prints work well in contemporary spaces because they offer historical depth without visual clutter. The monochrome compositions provide a sharp contrast for minimalist or traditional interiors. His focus on symbolic ornaments like the two-headed eagle or Mercury makes his work feel like a curated collection of curiosities for the home.
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