The Holy Family with the Infant Saint John the Baptist and a Vase - Guido Reni
Archival giclée
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Description
A refined etching by Guido Reni depicting the Holy Family and the infant Saint John the Baptist, characterised by delicate line work and classical grace.
This etching by the Italian Baroque master Guido Reni captures a quiet, domestic moment within the Holy Family. The composition features the Virgin Mary seated with the Christ Child, accompanied by Saint Joseph and the young Saint John the Baptist. A distinct vase sits in the background, providing a subtle still-life element that balances the figures. Reni employs a delicate etching technique, using fine, rhythmic lines to define the folds of drapery and the soft contours of the figures. The light source appears to originate from the upper right, casting gentle shadows that give the scene a sense of volume and physical presence.
Unlike the dramatic, high-contrast works often associated with the Baroque period, this print displays a refined, classical sensibility. Reni was known for his ability to convey grace and emotional restraint, qualities evident in the gentle interaction between the figures. The cross-hatching is applied with precision, particularly in the darker areas of the robes, which creates depth without overwhelming the clarity of the composition. The inclusion of the vase, a common motif in devotional imagery, adds a layer of symbolic meaning while grounding the scene in a tangible, earthly setting.
As a printmaker, Reni utilised the etching medium to explore themes of piety and familial affection. His approach to line work is fluid, allowing for a sense of movement within the static grouping. The print reflects the broader Bolognese school of painting, which prioritised clarity of form and balanced composition. This museum-grade reproduction captures the nuances of the original plate, from the varying density of the etched lines to the subtle textures of the figures' garments. It is a work that rewards close observation, revealing the technical skill and artistic vision of one of the most influential figures of the seventeenth century.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
The Holy Family with the Infant Saint John the Baptist and a Vase - Guido Reni
Artist Biography
Guido Reni
Reni’s ambition knew no bounds. He moved to Rome and quickly became a rival to Caravaggio, securing major commissions from the likes of the Borghese family. His frescoes, such as the *Aurora* ceiling in the Casino dell'Aurora, are testaments to his technical skill and artistic vision. Yet, Reni was also a complex character, known for his gambling addiction and a reported fear of witchcraft, which perhaps explains the melancholic undertones that sometimes surface in his art.
Despite his personal demons, Guido Reni left an indelible mark on the Baroque movement. His pursuit of idealised beauty influenced generations of artists, and his works, like *Hippomenes and Atalanta* and *The Ecstasy of Saint Paul*, continue to captivate viewers with their elegance and emotional depth. For those seeking a touch of refined drama and timeless grace, Reni's art offers a window into a world of unparalleled beauty.
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