The Lentil Eater - Bernard Picart
Archival giclée
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Description
A detailed 18th-century etching by Bernard Picart depicting a lively domestic scene of a family sharing a meal.
Bernard Picart, a French engraver active in Amsterdam, produced this work during the later stages of his career. The print depicts a domestic scene centred on a family sharing a modest meal. The composition features a man eating with gusto, a woman observing with a smile, and a child positioned between them. The scene draws upon the tradition of Dutch and Flemish genre painting, which often focused on the daily lives of common people with a mixture of realism and caricature.
Picart demonstrates his technical proficiency through the use of varied line weights and cross-hatching to define the textures of the clothing, the food vessels, and the facial expressions of the subjects. The lighting is focused on the figures, creating a sense of volume against the darker, textured background. The inscription at the base of the print, 'Le Mangeur de Lentille', identifies the subject and notes that the print was drawn and engraved by Picart after a painting in his own collection. This suggests the work was intended for a sophisticated audience interested in the reproduction of art for private study and collection.
As an engraver, Picart was known for his ability to translate the tonal qualities of oil paintings into the monochromatic medium of print. This particular work captures a moment of informal domesticity, moving away from the formal portraiture or religious iconography common in the period. The expressions are exaggerated, providing a light-hearted, almost theatrical quality to the scene. The print remains a fine example of eighteenth-century reproductive printmaking, where the artist acted as both interpreter and creator, bringing works from private cabinets to a wider public sphere.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
The Lentil Eater - Bernard Picart
Artist Biography
Bernard Picart
His work focuses on precise linework and mythological subjects. Picart moved away from the heavy styles of the previous century. He preferred clarity and proportion in his compositions. His etchings, such as "Althaea Putting the Fatal Log on the Fire" or his studies of antique gems, show a controlled hand. He often used vignettes and ornaments, including skulls and griffins, to frame larger narratives or to stand as independent decorative elements.
Modern collectors value Picart for his balance of classical themes and clean graphic sensibility. His prints work well in contemporary spaces because they offer historical depth without visual clutter. The monochrome compositions provide a sharp contrast for minimalist or traditional interiors. His focus on symbolic ornaments like the two-headed eagle or Mercury makes his work feel like a curated collection of curiosities for the home.
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