The Marriages of Tobie - Bernard Picart
Archival giclée
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Description
A detailed etching by Bernard Picart, based on a drawing by Charles Le Brun, depicting the biblical wedding feast of Tobias.
This etching by Bernard Picart depicts the biblical narrative of the marriage of Tobias, a subject drawn from the Book of Tobit. Picart, a French engraver who spent much of his career in Amsterdam, was known for his technical precision and his ability to translate the compositions of other masters into print. This specific work is based on a drawing by the French painter Charles Le Brun, as noted in the inscription at the base of the print, which mentions the collection of M. de Piles.
The composition follows the conventions of the period, placing the figures within a structured, outdoor setting. To the left, the angel Raphael guides Tobias, who is shown in an embrace, while the right side of the scene features a group gathered around a table for the wedding feast. The use of cross-hatching and varied line weights creates a sense of volume in the drapery and depth in the background landscape. The figures are rendered with the classical proportions typical of Le Brun’s style, reflecting the influence of the French Academy.
Picart’s work is often associated with the dissemination of religious and mythological imagery during the early eighteenth century. His prints were highly regarded for their clarity and adherence to the original designs he reproduced. This piece demonstrates his skill in managing complex multi-figure compositions, balancing the foreground action with the more static elements of the banquet. The print serves as a record of a lost or inaccessible drawing by Le Brun, preserving the visual interpretation of the narrative for a wider audience. The inclusion of the camel on the far left adds an exotic touch, consistent with the period’s interest in biblical settings. The work remains a fine example of the collaborative nature of printmaking in the eighteenth century, where the engraver acted as a bridge between the original artist and the public.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
The Marriages of Tobie - Bernard Picart
Artist Biography
Bernard Picart
His work focuses on precise linework and mythological subjects. Picart moved away from the heavy styles of the previous century. He preferred clarity and proportion in his compositions. His etchings, such as "Althaea Putting the Fatal Log on the Fire" or his studies of antique gems, show a controlled hand. He often used vignettes and ornaments, including skulls and griffins, to frame larger narratives or to stand as independent decorative elements.
Modern collectors value Picart for his balance of classical themes and clean graphic sensibility. His prints work well in contemporary spaces because they offer historical depth without visual clutter. The monochrome compositions provide a sharp contrast for minimalist or traditional interiors. His focus on symbolic ornaments like the two-headed eagle or Mercury makes his work feel like a curated collection of curiosities for the home.
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