Tile with Niche Design - Fine Art Print
Archival giclée
Frames arrive ready to hang
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Made to order
Description
A detailed reproduction of a 14th-century ceramic tile featuring a mihrab design with relief-moulded Arabic calligraphy and lustre glaze.
This ceramic tile features a mihrab, or prayer niche, design rendered in relief. The surface is covered in dense Arabic calligraphy, a common feature in Ilkhanid period ceramics. The script is executed in a combination of cobalt blue and lustre glazes, which create a metallic sheen against the ceramic body. The composition is divided into two primary sections: the arched upper niche and the rectangular lower panel. Both areas are framed by borders of further inscriptions, likely verses from the Quran or poetic passages.
The use of lustreware, a technique involving the application of metallic oxides to the glaze, allows the surface to reflect light in a way that mimics precious metals. This method was highly valued in the medieval Islamic world for its ability to transform functional objects into items of visual luxury. The relief work provides a tactile quality to the piece, as the letters are raised above the background, creating shadows that shift with the light. The blue glaze, derived from cobalt, provides a deep contrast to the brownish tones of the lustre, ensuring the text remains legible despite the density of the script.
Such tiles were often produced in workshops in cities like Kashan, which was a centre for ceramic production during the 13th and 14th centuries. These objects were typically used to decorate the walls of mosques or shrines, where the reflective quality of the lustre would catch the light of oil lamps. The precision required to mould the clay and apply the glaze demonstrates the technical skill of the artisans of the period. This print captures the texture and the specific colour palette of the original ceramic, offering a view of the craftsmanship involved in creating these architectural elements.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Tile with Niche Design - Fine Art Print
Artist Biography
Unknown Artist
The artistic approach of the Unknown Artist varies between the formal composition of the carte-de-visite and the narrative style of the war prints. In the Moroccan portraits, the focus rests on the subject's posture and attire against a neutral studio backdrop. The Japanese prints use bold lines and flat colours to depict military movements and naval victories. Despite the lack of a specific attribution, these works demonstrate a high level of technical skill in both lithography and woodblock carving.
Modern collectors often value anonymous works for their mystery and focus on the image itself. These prints provide a direct connection to history without the distraction of a famous name. They function as windows into the 19th-century world, from the quiet dignity of a young girl in a studio to the chaos of a distant conflict. These pieces offer a sense of discovery for those who appreciate the aesthetic qualities of vintage photography and historical illustration.
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