Titelprent voor serie met paarden - Joannes Bemme
Archival giclée
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Description
An 1802 etching by Joannes Bemme after a design by Dirk Langendijk, depicting a man leading a horse through a rustic doorway.
This etching, dated 1802, serves as the title print for a series of horse studies. The composition features a man leading a horse through a rustic doorway set into a weathered brick wall. The work is a collaboration between the draughtsman Dirk Langendijk, who provided the original design, and the engraver Joannes Bemme, who executed the etching. The inscription on the stone plaque above the door explicitly credits both contributors, a common practice in printmaking of the period to distinguish between the inventor of the image and the technician who translated it into copper.
Bemme employs a precise, controlled line to render the textures of the scene. The brickwork, the rough timber of the door frame, and the musculature of the horse are defined through varied hatching and cross-hatching techniques. The lighting is naturalistic, casting soft shadows that give the scene a sense of depth and physical presence. The figure of the man is partially obscured by the horse, creating a quiet, everyday moment rather than a grand narrative. This focus on domestic or rural life is characteristic of the Dutch tradition, which often found beauty in the mundane details of agricultural labour.
As a title print, the work balances decorative elements with functional information. The plaque provides the necessary context for the series, while the surrounding scene establishes the thematic focus on equine subjects. The print demonstrates the technical proficiency of Bemme, who was well-regarded for his ability to capture the nuances of light and texture in black and white. The composition remains grounded in the observational style of the late eighteenth and early nineteenth centuries, prioritising clarity and anatomical accuracy. This print offers a glimpse into the collaborative nature of print production in the Netherlands during the early nineteenth century, where artists and engravers worked in tandem to produce high-quality series for collectors and enthusiasts.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Titelprent voor serie met paarden - Joannes Bemme
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