







Abbott Handerson Thayer spent most of his career painting women with wings. He trained in Paris at the Ecole des Beaux-Arts under Henri Lehmann and Jean-Leon Gerome in the late 1870s, returning to America with a classical technique he put in service of idealized figures set against luminous, unspecific backgrounds. His Angel (1887[1]), now at the Smithsonian American[1] Art Museum, uses his three children as models: Mary as the central winged figure, flanked by her siblings in white garments. The composition became one of the most reproduced images in American art at the turn of the century.
Key facts
- Lived
- 1849–1921, American[1]
- Movement
- [1]
- Works held in
- 20 museums
- Wikipedia
- View article
Biography
By the 1890s he had settled permanently in Dublin, New Hampshire. He suffered from what he described as a pendulum condition, the swings between periods of intense productivity and incapacity that marked his adult life. His students included Rockwell Kent, the ornithological illustrator Louis Agassiz Fuertes, and Barry Faulkner. His own children Gerald and Gladys also became painters; he refused to enrol any of them in formal schooling, and the whole family slept outdoors year-round.
Thayer's other preoccupation was camouflage. He developed what became known as Thayer's Law, the countershading principle that animals are darker on their upper surfaces and lighter underneath in order to neutralise shadow. With his collaborator George de Forest Brush he obtained a patent in 1902[1] for ship camouflage based on this principle, and co-authored Concealing-Coloration in the Animal Kingdom in 1909. His extension of the theory to claim that flamingoes and peacocks were also camouflaged was rejected by Theodore Roosevelt, among others.
A Carnegie Institute retrospective in Pittsburgh in 1919[1] showed over 50 paintings. Yale awarded him an honorary degree in 1916. He died in Dublin, New Hampshire, in May 1921[1].
Timeline
- 1849Born
- 1870Trained at Ecole des Beaux-Arts under Lehmann and Gerome in Paris.
- 1887Painted 'Angel', using his children as models.
- 1890Settled permanently in Dublin, New Hampshire.
- 1902Obtained patent for ship camouflage with George de Forest Brush.
- 1909Co-authored 'Concealing-Coloration in the Animal Kingdom'.
- 1916Awarded honorary degree by Yale.
- 1919Carnegie Institute retrospective in Pittsburgh showed over 50 paintings.
- 1921Died in Dublin, New Hampshire.
Notable Works
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Frequently Asked Questions
What is Abbott Handerson Thayer known for?
Abbott Handerson Thayer is known for painting women with wings. He also developed Thayer's Law, the countershading principle of camouflage, and co-authored Concealing-Coloration in the Animal Kingdom in 1909[1].What is Abbott Handerson Thayer's most famous work?
Abbott Handerson Thayer is best known for his paintings of winged figures, often young women or children. These ethereal works blend classical idealism with a sentimental, American[1] aesthetic. His most recognised painting is probably *Angel* (1889[1]), also known as *Angel Holding a Lily*. It depicts Thayer's daughter, Mary, posed as an angel in a white gown and large wings. The work is part of the Smithsonian American Art Museum's collection. Thayer created several versions of this subject, and these paintings established his reputation for portraying idealised womanhood. Thayer's interest in angelic figures stemmed from his broader artistic concerns. These included exploring themes of innocence, purity, and spiritual beauty. He aimed to elevate the everyday, imbuing his subjects with a sense of timeless grace. While he produced portraits, figure studies, and some paintings of animals, his angelic figures remain his most popular and frequently reproduced works. They cemented his place in late 19th- and early 20th-century American art.What should I know about Abbott Handerson Thayer's prints?
Abbott Handerson Thayer is best known for his paintings, particularly his idealised figures of women and children and his innovative depictions of protective camouflage in nature. Prints after his works, while not as numerous as his paintings, offer a more accessible way to engage with his artistic vision. Many of Thayer's prints are photogravures, a process that captures the subtle tonal variations of his paintings. These prints often feature his most popular subjects: angelic women, often with wings, and children in classical poses. They reflect his interest in beauty, spirituality, and the idealised form. It is worth noting that Thayer was very particular about the reproduction of his art. He closely supervised the printing process to ensure the prints accurately represented the colours and details of his original works. This makes them desirable to collectors. When examining Thayer's prints, look for the quality of the printing, the clarity of the image, and any signs of fading or damage.What style or movement did Abbott Handerson Thayer belong to?
Abbott Handerson Thayer's artistic affiliations are complex, as his work incorporates elements of both the late Academic tradition and the emerging Aesthetic movement. He is best known for his paintings of idealized figures, often women with wings, set within atmospheric outdoor settings. These works display a preoccupation with beauty and symbolism that aligns with Aestheticism. However, Thayer also maintained connections to academic art through his emphasis on classical ideals and his meticulous technique. His approach to the natural world, while not strictly Impressionistic, shared an interest in capturing light and atmosphere. He was interested in simplification, or the translation of nature's complexity into readable shapes and patterns. Though he defied easy categorisation, Thayer's art represents a blend of traditional skill and modern aesthetic sensibilities.What techniques or materials did Abbott Handerson Thayer use?
Information about Abbott Handerson Thayer's specific techniques and materials is not available in the provided texts. However, the passages do discuss the techniques and materials of some contemporary British artists. J.M.W. Turner, a generation earlier than Thayer, was initially a watercolourist, developing techniques he later used in oils. His early watercolours featured transparent washes over white paper, reserving highlights. He mixed browns and blues to create greens. Turner used white grounds for luminosity in his oil paintings, a practice that became more common among British artists after 1820. James McNeill Whistler, a contemporary of Thayer, favoured texture in his work. From the 1880s, he often used small panels for sketching street scenes, seascapes, and figure studies. For larger works, he preferred canvas to maintain texture, sometimes applying thin grounds. Whistler often used a light grey imprimatura of oil paint on top of the ground, allowing him to paint directly. After 1871[1], he increasingly used darker grey, exploiting the ground to develop chiaroscuro effects.What was Abbott Handerson Thayer known for?
Abbott Handerson Thayer (1849[1]-1921[1]) was an American[1] painter. He is known for his paintings of women, often depicted with wings, blurring the lines between portraiture and allegorical figures. Thayer grew up during a period when American art was moving away from earlier styles. Some artists painted local subject material, while others, like Albert Bierstadt, created grand panoramic scenes. Thayer's work diverged from both these trends. He developed a unique style, often painting figures in a soft, ethereal manner. These paintings often evoke a sense of idealism and beauty. Although he achieved success in his lifetime, he also faced periods of financial struggle. His work can be seen as a reflection of his interest in the decorative aspects of painting, and he explored themes of femininity and nature.When did Abbott Handerson Thayer live and work?
Abbott Handerson Thayer was born on 12 August 1849[1], in Boston, Massachusetts. He died on 29 May 1921[1], in Monadnock, New Hampshire. He was an American[1] artist particularly known for his paintings of idealized women and angels, and for his work on protective camouflage in nature. Thayer's career spanned the late 19th and early 20th centuries, a period of significant change in the art world. Thayer received his initial training at the Brooklyn Art School and the National Academy of Design in New York. In 1875[1], he travelled to Paris, where he studied at the École des Beaux-Arts under Henri Lehmann and Jean-Léon Gérôme. He returned to the United States in 1879 and established himself as a painter in New York. Later in his career, Thayer moved to rural New Hampshire, where he focused on painting figures in natural settings.Where can I see Abbott Handerson Thayer's work?
Abbott Handerson Thayer's work can be viewed in several locations. In the United States, these include the Metropolitan Museum of Art in New York; the Los Angeles County Museum of Art (LACMA); the Minneapolis Institute of Arts; the Museum of Modern Art, also in New York; the Virginia Museum of Fine Arts in Richmond; the Hirshhorn Museum and Sculpture Garden in Washington, DC; the National Gallery of Art, also in Washington; the National Museum of American[1] Art, again in Washington; the Philadelphia Museum of Art; the Yale University Art Gallery in New Haven, CT; and the Charles Hosmer Morse Museum of American Art in Winter Park, Florida. Outside the United States, Thayer's art may be viewed at the Royal Ontario Museum in Toronto.Where was Abbott Handerson Thayer from?
Abbott Handerson Thayer was born in Boston, Massachusetts. At a young age, he moved with his family to Minneapolis. There, he took night-school art classes and worked as an illustrator for the Minneapolis Times. Later, Thayer enrolled at the Art Students League, New York, and the School of the Museum of Fine Arts, Boston. In 1905[1], he received a scholarship to study in Europe. He taught at the Groton School, Boston, in 1912. Thayer co-founded the School for Illustration and Painting in Los Angeles in 1914. He also taught at the University of Southern California, Los Angeles, and the Otis Art Institute, Los Angeles. Thayer is known for his portraits, figure studies, and still lifes.Who did Abbott Handerson Thayer influence?
It is difficult to identify specific artists directly influenced by Abbott Handerson Thayer. Art history texts tend to focus on influences upon Thayer, rather than those he influenced. However, considering the broader context of American[1] art during Thayer's time provides some insight. Mark Rothko noted that American artists of the period often emulated European styles. He cites John Singleton Copley and Gilbert Stuart, who emulated their British contemporaries. Rothko also mentions Benjamin West, who painted American historical scenes in the style of French painters like Jacques-Louis David and Jean-Auguste-Dominique Ingres. Rothko further observes influences from the Munich school and the British tradition in artists such as Fuller and Morse, Thomas Eakins, Frank Duveneck, and William Merritt Chase. Winslow Homer was seemingly influenced by Eakins, and George Bellows is considered a descendent of Chase. These artists, along with Albert Pinkham Ryder, contributed to an American artistic tradition, despite their varied influences.Who influenced Abbott Handerson Thayer?
Abbott Handerson Thayer's artistic development involved influences from several sources. As a student in Paris during the 1870s, he was exposed to academic training. He studied at the École des Beaux-Arts, where he learned the established techniques of figure drawing and painting. Thayer admired the Old Masters, particularly Diego Velázquez. Velázquez's approach to realism and his subtle handling of colour had an impact on Thayer's portrait style. Thayer also appreciated the work of painters like Jean-Auguste-Dominique Ingres. In the United States, Thayer was part of the artistic circle that included painters such as George de Forest Brush and Dennis Miller Bunker. These artists shared an interest in classical ideals and figure painting. They encouraged one another's artistic explorations. The American[1] Pre-Raphaelites, with their attention to detail and naturalism, also resonated with Thayer's aesthetic sensibilities. His exposure to these different styles contributed to the formation of his own distinctive artistic vision.Who was Abbott Handerson Thayer?
Abbott Handerson Thayer (1849[1]-1921[1]) was an American[1] artist who is best known for his paintings of idealised women and children, often depicted with angelic wings. He was born in Boston, Massachusetts, and he studied art in Paris at the École des Beaux-Arts. Thayer's early work included animal paintings; however, he later shifted his focus to figure painting. His style blended academic realism with a delicate, ethereal quality. He often used his own children as models, imbuing his paintings with a sense of innocence and grace. Some critics have interpreted his work as sentimental, while others appreciate its technical skill and symbolic content. Thayer was also interested in camouflage, and he wrote about the subject.
Sources
Editorial draws on the following primary and tertiary references for Abbott Handerson Thayer.
- [1] wikipedia Wikipedia: Abbott Handerson Thayer Used for: biography, birth dates, death dates, identifiers, movement attribution, nationality.
- [2] book Beard, Lee, 1973- author, Butler, Adam, author; Van Cleave, Claire, author; Fortenberry, Diane, author; Stirling, Susan, author, Beard, Lee, 1973- author, Butler, Adam, author; Van Cleave, Claire, author; Fortenberry, Diane, author; Stirling, Susan, author - The Art Book_ New Edition, Mini Format Used for: biography.
- [3] book Penelope J.E. Davies, Walter B. Denny, Frima Fox Hofrichter, Joseph Jacobs, Ann S. Roberts, David L. Simon, Janson's History of Art_ The Western Tradition (8th Edition) Used for: biography.
- [4] book Masterpieces of western art : a history of art in 900 individual studies from the Gothic to the present day Used for: biography.
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