His technique involved a precise use of shadow and light. He often depicted figures by candlelight or in dim church naves. In Oude man in zijn studeervertrek, the light source remains hidden but defines the textures of the room. He recorded the daily habits of the Dutch public. Kerkinterieur met man die bedelaarster een aalmoes geeft uses the scale of a church to frame a small act of charity.

Collectors today appreciate the quiet nature of his compositions. His paintings avoid the excessive drama found in other Romantic works. The focus on solitary figures like the Lezende oude vrouw creates a sense of privacy. These prints work well in modern homes that require a calm atmosphere. His portraits and genre scenes offer a factual look at 19th-century life.