His approach is defined by a clear, observational style. He avoided the loose brushwork common in later 19th-century Dutch art. Instead, he preferred defined lines and structural clarity. This is evident in his architectural studies, such as the "Water- of Gevangenpoort te Woudrichem". He often depicted quiet moments, like a man resting with a dog or a courtyard in Boppard. These scenes rely on accurate perspective and a calm light to create a sense of place.

Modern collectors value these prints for their quiet realism and historical detail. His drawings of canals and streets provide a direct window into 19th-century Europe without sentimental filters. The work suits contemporary interiors because of its neutral colour palettes and balanced compositions. Pieces like "Gezicht op een gracht" offer a sense of order and stillness. They provide a sophisticated alternative to more expressive art.