His artistic approach favoured direct observation over idealised beauty. In genre paintings like Meid die de gang van een huis veegt, he turned his attention to the mundane tasks of a household. He used light to define the geometry of a room, creating a sense of stillness. His self-portrait reveals a technician who viewed himself with the same analytical detachment he used for his patrons.

Modern collectors appreciate the lack of artifice in these compositions. The works provide a clear view of historical Dutch life without the heavy symbolism of earlier eras. These prints offer a quiet presence that complements a minimalist or traditional interior. The focus on domesticity and individual character remains relevant for those seeking art with a human scale.