His artistic approach is defined by bold ink washes and energetic brushwork. He used summary black dabs to create scenes that appear like reflections in water. His work often features turbulent weather or dramatic animals. In his Dragon and Tiger paintings, he used dark ink tones to suggest wind and movement. He preferred powerful abbreviations of form. This method predates the styles of later masters like Ogata Kōrin.

Modern collectors value the stark contrast and minimalist aesthetic of his suiboku-ga style. The monochromatic compositions work well in contemporary spaces. His focus on the essential forms of nature provides a sense of calm. Each print captures a specific moment of tension or stillness. The gestural quality of his brush suggests a direct connection between the artist and the paper. These works are ideal for those who appreciate traditional Japanese art with a bold, graphic edge.