His artistic approach combined traditional Dutch realism with the clarity of modern design. He used a restrained colour palette. His portraits, like his studies of young girls, focus on direct observation. He avoided the thick paint used by many of his peers. Instead, he preferred smooth finishes and clear outlines. This style is visible in his commercial work. His posters for tea brands use these same clean lines.

Modern collectors value the graphic clarity of his work. His prints offer a clean aesthetic that suits minimalist interiors. The balance between his formal portraits and his commercial posters provides variety for a home gallery. His work represents a transition from 19th-century traditions to the organised visuals of the early 20th century.