Fine Art Poster
From $29
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Archival giclée
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A 1969 lithograph by Friedensreich Hundertwasser, featuring his signature organic spirals, bold primary colours, and a rejection of the straight line.
Friedensreich Hundertwasser, born Friedrich Stowasser, was an Austrian artist known for his rejection of straight lines and his preference for organic, spiral-based forms. This work, titled 684 A Rainy Day with Walter Kampmann, dates to 1969 and displays the characteristic visual language of his later career. The composition is dominated by large, circular motifs that resemble trees or celestial bodies, rendered with a dense application of dots and concentric rings. These shapes float above a structured, grid-like base that suggests an architectural or urban environment, though the perspective remains intentionally flattened and dreamlike.
Hundertwasser utilised a high-chroma palette, favouring primary colours alongside deep greens and blues. The red rectangular elements at the top of the composition provide a stark contrast to the swirling, organic forms below. His work often incorporated personal symbolism and a rejection of conventional artistic norms, favouring a philosophy that prioritised the individual's connection to nature and the built environment. The inclusion of Japanese-style seals and specific numbering indicates the artist's meticulous approach to his print editions, which were often produced using complex lithographic processes to achieve the desired saturation and texture.
In this piece, the interplay between the rigid, rectangular frames and the fluid, circular masses creates a tension that is typical of Hundertwasser's output. The work avoids traditional depth, instead presenting a decorative, almost map-like surface that invites the viewer to trace the paths of the lines and the distribution of the colour fields. It is a clear example of his desire to humanise the environment through art, replacing the monotony of industrial design with a personal, irregular, and highly decorative aesthetic that remains recognisable decades later.
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
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Every Solis piece is made to order with archival, gallery-quality materials built to last.
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Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
Made to order
Every piece is printed to order. These are the five finishes, and what makes each one different.
From $29
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
From $89
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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