Fine Art Poster
From $29
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
A Bit of Holland Meadows (aka A Bit of Green in Holland) - William Merritt Chase
Regular price
$29.00 USD
Sale price
$29.00 USD
Regular price
Archival giclée
Frames arrive ready to hang
Secure checkout
Made to order
Description
This pastel drawing by William Merritt Chase captures a tranquil view of the Dutch countryside. The artwork presents a broad, green meadow under a soft, hazy sky.
William Merritt Chase, an American Impressionist painter, created this pastel drawing, capturing a serene view of the Dutch countryside. Chase is celebrated for his ability to portray light and atmosphere, and this work exemplifies his skill in rendering the subtle nuances of nature. Although American, Chase spent time in Europe, absorbing influences from the Impressionists and other contemporary movements. His work often reflects a blend of American and European sensibilities. The artwork presents a broad, green meadow under a soft, hazy sky. A hay bale sits to the left, and a small structure, possibly a shed or shelter, is positioned to the right. The composition is divided into horizontal bands, with the foreground dominated by lush grasses and a small stream. In the distance, trees and a few buildings are visible, adding depth to the scene. The colour palette is dominated by greens and muted tones, creating a tranquil and harmonious effect. The pastel medium allows for soft, blended strokes, enhancing the atmospheric quality of the work.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Complete The Look
A Bit of Holland Meadows (aka A Bit of Green in Holland) - William Merritt Chase
Regular price
From $29.00 USD
Sale price
From $29.00 USD
Regular price
Fine Art Poster / A4 (21x29.7 cm) / -
Artist Biography
William Merritt Chase
Chase briefly joined the Navy at eighteen. After three months on the USS Vermont and USS Portsmouth he wrote to his father asking to arrange a discharge. He went to art school instead, which was probably better for everyone.
He studied at the Royal Academy of Munich, came home with a technique influenced by Velazquez and the dark tonalities of the old Dutch masters, and became one of the most important art teachers in American history. His pupils included Georgia O'Keeffe, Edward Hopper, Charles Sheeler, Joseph Stella, Marsden Hartley and Rockwell Kent. The list reads like a syllabus for twentieth-century American art.
In 1891 he founded the Shinnecock Hills Summer School on Long Island, the first plein-air painting school in the United States. His friend Stanford White designed his summer house there, with an integral studio. He taught outdoors, painting the dunes and scrubland of the South Fork with a luminous palette that anticipated the Impressionism he would later formally adopt. He was invited to join The Ten, the leading American Impressionist group, in 1902.
His most famous still-life subject was dead fish: whole fish lying on a plate against a dark background, painted with the same tonal precision he brought to landscapes and portraits. The subject sounds monotonous but the paintings are extraordinary, each fish rendered as an individual study in colour and light.
He was not modest. He decorated his studio with antiques and costumes and posed for photographs wearing a top hat. He believed art was a serious profession that deserved serious presentation, which for Chase meant looking like he meant it.
He studied at the Royal Academy of Munich, came home with a technique influenced by Velazquez and the dark tonalities of the old Dutch masters, and became one of the most important art teachers in American history. His pupils included Georgia O'Keeffe, Edward Hopper, Charles Sheeler, Joseph Stella, Marsden Hartley and Rockwell Kent. The list reads like a syllabus for twentieth-century American art.
In 1891 he founded the Shinnecock Hills Summer School on Long Island, the first plein-air painting school in the United States. His friend Stanford White designed his summer house there, with an integral studio. He taught outdoors, painting the dunes and scrubland of the South Fork with a luminous palette that anticipated the Impressionism he would later formally adopt. He was invited to join The Ten, the leading American Impressionist group, in 1902.
His most famous still-life subject was dead fish: whole fish lying on a plate against a dark background, painted with the same tonal precision he brought to landscapes and portraits. The subject sounds monotonous but the paintings are extraordinary, each fish rendered as an individual study in colour and light.
He was not modest. He decorated his studio with antiques and costumes and posed for photographs wearing a top hat. He believed art was a serious profession that deserved serious presentation, which for Chase meant looking like he meant it.
Our Features
Designed for Lasting Impact
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Made to order
Choose your finish
Every piece is printed to order. These are the five finishes, and what makes each one different.
Fine Art Framed
From $89
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
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Damage-free delivery guarantee
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Museum-Quality Materials
Artist Biography
William Merritt Chase
Chase briefly joined the Navy at eighteen. After three months on the USS Vermont and USS Portsmouth he wrote to his father asking to arrange a discharge. He went to art school instead, which was probably better for everyone.
He studied at the Royal Academy of Munich, came home with a technique influenced by Velazquez and the dark tonalities of the old Dutch masters, and became one of the most important art teachers in American history. His pupils included Georgia O'Keeffe, Edward Hopper, Charles Sheeler, Joseph Stella, Marsden Hartley and Rockwell Kent. The list reads like a syllabus for twentieth-century American art.
In 1891 he founded the Shinnecock Hills Summer School on Long Island, the first plein-air painting school in the United States. His friend Stanford White designed his summer house there, with an integral studio. He taught outdoors, painting the dunes and scrubland of the South Fork with a luminous palette that anticipated the Impressionism he would later formally adopt. He was invited to join The Ten, the leading American Impressionist group, in 1902.
His most famous still-life subject was dead fish: whole fish lying on a plate against a dark background, painted with the same tonal precision he brought to landscapes and portraits. The subject sounds monotonous but the paintings are extraordinary, each fish rendered as an individual study in colour and light.
He was not modest. He decorated his studio with antiques and costumes and posed for photographs wearing a top hat. He believed art was a serious profession that deserved serious presentation, which for Chase meant looking like he meant it.
He studied at the Royal Academy of Munich, came home with a technique influenced by Velazquez and the dark tonalities of the old Dutch masters, and became one of the most important art teachers in American history. His pupils included Georgia O'Keeffe, Edward Hopper, Charles Sheeler, Joseph Stella, Marsden Hartley and Rockwell Kent. The list reads like a syllabus for twentieth-century American art.
In 1891 he founded the Shinnecock Hills Summer School on Long Island, the first plein-air painting school in the United States. His friend Stanford White designed his summer house there, with an integral studio. He taught outdoors, painting the dunes and scrubland of the South Fork with a luminous palette that anticipated the Impressionism he would later formally adopt. He was invited to join The Ten, the leading American Impressionist group, in 1902.
His most famous still-life subject was dead fish: whole fish lying on a plate against a dark background, painted with the same tonal precision he brought to landscapes and portraits. The subject sounds monotonous but the paintings are extraordinary, each fish rendered as an individual study in colour and light.
He was not modest. He decorated his studio with antiques and costumes and posed for photographs wearing a top hat. He believed art was a serious profession that deserved serious presentation, which for Chase meant looking like he meant it.
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