A detailed 1590 copperplate engraving by Theodor de Bry, depicting a Secotan leader from the Roanoke colony based on the observations of John White.

This engraving, A Chief Lord of Roanoac, originates from the 1590 publication of Thomas Hariot's A Briefe and True Report of the New Found Land of Virginia. Theodor de Bry, a Flemish engraver and publisher, produced this work based on the original watercolour sketches of John White, who accompanied the 1585 expedition to the Roanoke colony. The print depicts a Secotan leader in two distinct poses, offering a comprehensive view of his attire, physical stature, and personal adornments.

The composition presents the figure from both the front and the back, a technique common in early modern ethnographic studies to provide maximum information to the European viewer. The subject wears a fringed apron and a rectangular gorget, with his hair styled in a specific manner indicative of his status. The background features a simplified coastal environment, including a body of water with small boats, which provides context for the subject's environment without distracting from the primary figure. De Bry utilised precise hatching and cross-hatching techniques to define the musculature of the subject and the textures of the clothing.

While the work reflects the European perspective of the late sixteenth century, it remains a primary visual record of the Secotan people encountered by English explorers. The engraving process allowed for the wide dissemination of these images across Europe, shaping early perceptions of the Americas. The print is characterised by its clean lines and balanced composition, typical of the technical standards of de Bry's workshop. This piece offers a window into the intersection of exploration, documentation, and print culture during the Elizabethan era. It is a significant example of how early modern printmakers translated observational sketches into formalised visual narratives for a broader audience.