A satirical 1814 etching by George Cruikshank depicting Princess Charlotte of Wales with a puppet of the Prince of Orange.

This satirical etching by George Cruikshank, published in June 1814, offers a biting commentary on the political climate of the Regency era. The composition depicts Princess Charlotte of Wales seated in an ornate chair, holding a puppet of the Prince of Orange. The puppet, dressed in military attire and brandishing a flag labelled 'Orange Boven', refers to the proposed marriage between the Princess and the Prince of Orange, a union that was highly debated in the British press and public sphere at the time.

Cruikshank employs his characteristic style of exaggerated features and sharp, linear detail to convey the absurdity of the political matchmaking. The Princess is shown with a crown and feathers, yet her attention is directed toward the toy, suggesting the trivialisation of royal alliances. The background features a formal garden with a fountain, providing a contrast to the domestic scene in the foreground. The use of hand-applied colour adds a specific tone to the print, typical of the popular satirical broadsides produced by Thomas Tegg during this period.

As a social commentator, Cruikshank was adept at distilling complex diplomatic manoeuvres into accessible, often humorous imagery. This work functions as a historical record of the public perception of the royal family, capturing the scepticism regarding the influence of foreign powers on British succession. The print remains a fine example of the graphic satire that flourished in London during the early nineteenth century, reflecting the intersection of personal royal life and national politics. The etching technique allows for precise lines and expressive characterisation, ensuring the message remains clear and direct to the viewer.