A Lady Seated at a Virginal - Johannes Vermeer
Archival giclée
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Description
A late work by Johannes Vermeer, this genre painting captures a woman playing a virginal in a quiet, light-filled Dutch interior.
Johannes Vermeer painted A Lady Seated at a Virginal during the final years of his career. The work depicts a young woman positioned at a keyboard instrument, known as a virginal, within a domestic interior. Her gaze is directed toward the viewer, creating a sense of immediate presence. The composition includes a viola da gamba resting in the foreground, which adds a musical theme to the scene. On the wall behind the figure hangs a painting of a procuress, a common motif in Dutch genre art that often carried moralising connotations regarding courtship and music.
Vermeer employs his characteristic handling of light, which enters from the left to illuminate the subject and the textures of her blue silk dress. The artist uses a refined application of paint to define the marble-like surface of the virginal and the subtle shadows cast across the room. The floor features a black and white chequered pattern, a frequent element in his interiors that provides a sense of spatial depth. The signature of the artist is visible on the wall near the top right corner of the canvas.
This painting is one of two works by Vermeer that feature a virginal, the other being A Lady Standing at a Virginal. Both pieces demonstrate the artist's interest in the quiet, private lives of the Dutch middle class. The inclusion of the viola da gamba and the painting within the painting suggests a narrative of leisure and social interaction. The work is currently held in the collection of The National Gallery in London. It remains a primary example of the artist's ability to capture stillness and light within a confined space, reflecting the technical precision associated with his late period.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
A Lady Seated at a Virginal - Johannes Vermeer
Artist Biography
Johannes Vermeer
While celebrated for iconic paintings like *Girl with a Pearl Earring* and *The Milkmaid*, Vermeer's life was far from glamorous. He worked as an art dealer and innkeeper to support his large family, and his financial struggles were well-documented. This perhaps explains the intimate scale and contemplative mood of his paintings; they offer a glimpse into a world carefully observed and deeply felt. Vermeer's ability to transform ordinary moments into timeless works of art is a testament to his genius.
Vermeer's influence extends far beyond the Baroque period. His innovative use of light and colour paved the way for future generations of artists, particularly the Impressionists. Owning a Vermeer print is more than acquiring a beautiful image; it's connecting with a legacy of artistic innovation and a profound appreciation for the beauty found in everyday life. His paintings invite us to slow down, observe, and find the extraordinary in the ordinary.
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