An eighteenth-century engraving documenting the equestrian acrobatics of Mr. Price, featuring a central scene surrounded by eight detailed vignettes of performance.

This eighteenth-century engraving, produced by B. Cole for the Universal Museum and Complete Magazine, documents the equestrian feats of a performer identified as Mr. Price. The composition is structured around a central scene, which depicts the performer on horseback accompanied by two figures on foot, surrounded by eight smaller vignettes. Each vignette illustrates a specific acrobatic manoeuvre performed while riding at speed, such as standing on one leg, riding backwards, or balancing on his head while firing a pistol. The print reflects the popular fascination with equestrianism and public spectacle in Georgian Britain. The surrounding frames are executed in a rococo style, featuring scrollwork and organic flourishes that connect the individual scenes into a cohesive decorative arrangement. The text beneath each vignette provides a concise description of the action, serving as a visual catalogue of the performer's repertoire. The central image provides a sense of scale and context, showing the performer in his riding attire with a whip in hand. As a piece of commercial printmaking from the mid-eighteenth century, the work demonstrates the technical precision of the period. The lines are clean and descriptive, focusing on the clarity of the action rather than atmospheric depth. The use of a structured, multi-panel layout allows the viewer to absorb the variety of skills displayed by the performer in a single glance. This print offers a glimpse into the history of circus arts and the development of equestrian performance as a form of public entertainment. It remains a record of the physical agility and showmanship that defined the era's travelling exhibitions.