A 1776 etching and mezzotint by Richard Earlom, depicting a classical coastal scene after a drawing by Claude Lorrain.

This print is a reproduction of a drawing by Claude Lorrain, executed by the British master engraver Richard Earlom. Published in 1776 by John Boydell, the work forms part of the Liber Veritatis, a collection of prints documenting the drawings of Claude Lorrain held in the collection of the Duke of Devonshire. Earlom utilised a combination of etching and mezzotint to capture the atmospheric qualities of the original composition.

The scene depicts a coastal setting at sunrise. A figure stands upon a rocky outcrop, gesturing towards two men in a small boat, representing the biblical narrative of Christ calling Andrew and Peter. The composition relies on the contrast between the dark, textured foreground and the luminous, expansive horizon. Rays of light emanate from the sun, which sits low on the water, creating reflections across the surface of the sea. The rocky cliffs to the right are rendered with dense hatching, providing a sense of weight and scale that balances the open water on the left.

Earlom was highly regarded for his technical precision. His ability to translate the soft, tonal washes of a drawing into the linear language of printmaking allowed the works of Old Masters to reach a wider audience in the eighteenth century. The print demonstrates a mastery of light and shadow, characteristic of the period's interest in classical subjects and idealised nature. The inclusion of the publication details at the bottom of the plate provides historical context, noting the source of the original drawing and the date of issue. This piece offers a clear example of the collaborative nature of print production during the Georgian era, where the skills of the engraver were essential for the dissemination of fine art.