A Young Girl with Cat - Berthe Morisot
Archival giclée
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Description
A delicate drypoint print by Impressionist artist Berthe Morisot, capturing a young girl holding a cat with light, expressive lines.
This drypoint print by Berthe Morisot captures a quiet, domestic moment through the artist's characteristic economy of line. Morisot, a central figure in the Impressionist circle, frequently turned her attention to the private lives of women and children. In this work, the subject is a young girl holding a cat, rendered with a light, airy touch that avoids heavy outlines. The composition relies on the interplay between the girl's soft features and the gestural marks used to define the form of the animal.
Morisot often experimented with printmaking techniques, including drypoint and etching, to translate the spontaneity of her sketches into a reproducible medium. The lines here are delicate and suggest movement rather than rigid form. By leaving much of the paper surface untouched, she creates a sense of atmosphere and space around the figures. The girl's gaze is directed towards the viewer, yet her posture remains relaxed, suggesting an informal encounter rather than a formal portrait session.
As a practitioner of Impressionism, Morisot prioritised the capture of fleeting impressions over academic precision. This print demonstrates her ability to convey character and mood through minimal visual information. The texture of the cat's fur and the folds of the girl's clothing are suggested through short, rhythmic strokes, reflecting the artist's interest in the tactile qualities of her subjects. This piece offers an intimate view into the domestic sphere, a common theme in Morisot's body of work, and provides insight into her technical approach to printmaking during the late 1880s.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
A Young Girl with Cat - Berthe Morisot
Artist Biography
Berthe Morisot
She was born in Bourges in 1841. Her parents built a studio in the family garden for Berthe and her sister Edma, who was equally talented. Edma abandoned painting when she married a naval officer in 1869. Berthe, having lost her collaborator, held on harder. She exhibited ten works at the first Impressionist exhibition in 1874, the only woman showing. She participated in every Impressionist show except 1879, the year her daughter Julie was born.
Edouard Manet painted her portrait repeatedly before she married his brother Eugene in 1874. She had sworn to stay single. Eugene gave up his own painting ambitions so she could pursue hers. Whatever the nature of her relationship with Edouard, it produced some of his finest portraits and left a subject that art historians have been circling for over a century.
She painted the domestic world of women with a directness that the male Impressionists could not access: mothers and daughters, women at their toilette, the garden, the drawing room. The brushwork is rapid and unfinished-looking, more so than Monet's. She died of pneumonia in 1895, aged fifty-four, caught while nursing her daughter through the same illness. She wrote to sixteen-year-old Julie the day before.
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