Yoshitoshi, born Tsukioka Kin'ichi, was arguably the last great master of ukiyo-e. He witnessed the decline of traditional Japanese woodblock printing during the Meiji era, as photography and Western printing techniques gained popularity. Despite this, Yoshitoshi was determined to revitalise the art form, experimenting with new subjects and styles. His efforts ensured ukiyo-e's survival into the 20th century. He is known for his series *One Hundred Aspects of the Moon*. Other notable works include *Beautiful Woman with Fan*, *Desire*, and *Akashi*.

Yoshitoshi's art is characterised by its dramatic intensity and historical themes. He was fascinated by the supernatural, often depicting ghosts, demons, and scenes of violence. His mentor was Utagawa Kuniyoshi, who also explored similar themes. Yoshitoshi's skill in portraying emotion and movement, combined with his mastery of colour and composition, made his prints stand out. His work reflects a turbulent period in Japanese history, capturing the anxieties and uncertainties of a society undergoing rapid change.

Collectors are drawn to Yoshitoshi's prints for their striking imagery and historical value. His works offer a glimpse into a transitional period in Japan, blending traditional artistic techniques with modern sensibilities. His prints appeal to those who appreciate art that is both visually stunning and intellectually stimulating, preserving a vital part of Japanese cultural heritage.