A dramatic Baroque depiction of the biblical narrative of Abraham, Hagar, and Ishmael, painted by the Italian master Guercino in 1657.

This composition by Giovanni Francesco Barbieri, known as Guercino, depicts the biblical narrative of Abraham dismissing Hagar and their son, Ishmael. The scene captures a moment of emotional tension, rendered with the characteristic clarity and dramatic lighting associated with the artist's mature period. Abraham stands centrally, his gesture directing the pair away from his household, while his expression conveys a mix of resolve and sorrow. Hagar, positioned to the right, looks towards him with a sense of resignation, her hand resting protectively on the weeping Ishmael. To the left, Sarah is partially visible, her presence suggesting the domestic conflict that necessitated this departure.

Guercino employs a balanced arrangement of figures against a simplified architectural backdrop, allowing the psychological interaction between the characters to dominate the frame. The use of colour is deliberate, with the deep red of Abraham's robes and the striking blue of his turban providing a visual anchor. The soft, naturalistic treatment of the drapery and the subtle modulation of light across the faces demonstrate the artist's technical skill in oil painting. This work reflects the shift in Guercino's later style, moving away from the intense chiaroscuro of his early career toward a more refined, classical approach to form and narrative clarity. The figures possess a tangible weight, and the spatial relationships are clearly defined, creating a sense of immediacy that draws the viewer into the gravity of the biblical event. The painting remains a representative example of seventeenth-century Italian Baroque art, focusing on human emotion within a traditional religious framework.