A 1516 engraving by Lucas van Leyden depicting the biblical departure of Hagar and Ishmael, rendered with technical precision and emotional clarity.

This engraving by Lucas van Leyden, dated 1516, depicts the biblical narrative of Abraham sending away Hagar and their son, Ishmael. The artist presents the scene with a focus on the psychological weight of the departure. Abraham stands to the left, his posture conveying a sense of resolve, while Hagar, positioned to the right, wipes a tear from her eye. Young Ishmael clings to his mother, clutching an apple, which adds a layer of vulnerability to the composition. A small dog occupies the foreground, a common inclusion in Northern Renaissance prints that adds a domestic element to the dramatic event.

Van Leyden demonstrates his technical mastery through the use of fine, controlled lines to create texture and form. The drapery of the figures is rendered with precision, showing the influence of contemporary fashion on the artist's interpretation of historical subjects. The background features a rocky outcrop and a distant cityscape, which provides a sense of scale and environment. The light source appears to come from the upper left, casting soft shadows that define the figures against the rugged terrain.

As a leading figure in the Dutch Renaissance, van Leyden was known for his ability to integrate human emotion into traditional religious themes. This work is a clear example of his skill in engraving, a medium that allowed for the dissemination of his style across Europe. The print is signed with the artist's characteristic 'L' and dated, confirming its place within his mature period. The composition balances the central figures with the surrounding landscape, creating a narrative that is both contained and expressive. Collectors of early modern prints will appreciate the clarity of the line work and the narrative depth present in this 16th-century masterpiece.