A classic 1770 woodblock print by Katsukawa Shunshō, capturing actor ōtani Hiroji III in a dramatic kabuki role as a fox spirit.

This woodblock print by Katsukawa Shunshō depicts the kabuki actor ōtani Hiroji III in the role of a white fox, who has assumed the guise of the character Ukishima Daihachi. The scene originates from the play Shinsadame Sōma no Mombi, performed at the Ichimura Theater in Edo during the seventh month of 1770. Shunshō was a central figure in the development of the yakusha-e genre, which focused on the realistic portrayal of kabuki actors. Unlike the stylised, generic faces common in earlier prints, Shunshō sought to capture the specific features and expressions of individual performers.

The composition shows the actor in a dramatic, contorted posture, suggesting the supernatural nature of the fox spirit. Arrows protrude from his clothing, indicating a violent encounter, while he holds a scroll in his mouth. The artist employs a narrow, vertical format, often referred to as hosoban, which was standard for actor prints of this period. The colour palette is restrained, relying on soft greens, muted oranges, and earthy tones typical of the mid-Edo period printing techniques. The background is simplified, allowing the viewer to focus on the actor's physical exertion and the narrative tension of the scene. The print bears the signature of Shunshō, confirming his authorship of this specific theatrical study.

Shunshō's approach to actor portraiture influenced many subsequent artists, including his pupil Katsushika Hokusai. By focusing on the psychological state of the character rather than mere costume, he brought a new level of engagement to the genre. This print provides a glimpse into the theatrical culture of eighteenth-century Japan, where the boundaries between human actors and mythical creatures were frequently blurred on the kabuki stage. The work remains a clear example of the technical precision and narrative focus that defined the Katsukawa school.