A 1543 engraving by Sebald Beham depicting Adam and Eve with a central skeletal motif, reflecting the memento mori tradition of the Northern Renaissance.

This 1543 engraving by Sebald Beham presents a distinct interpretation of the Fall of Man. Beham, a member of the group known as the Little Masters, was known for his technical precision in small-scale prints. In this composition, the artist replaces the traditional Tree of Knowledge with a skeletal structure, around which a serpent coils to offer the forbidden fruit to Eve. Adam stands to the left, holding a large leaf, while Eve stands to the right. The figures are rendered with the anatomical focus typical of the period, reflecting the influence of Italian humanism on German printmaking.

The background is dark, which pushes the figures and the central memento mori motif into the foreground. The use of cross-hatching and fine line work creates volume in the musculature of the figures and texture in the bone structure. Beham includes his monogram, ISB, in the upper left corner alongside the date. This work functions as a meditation on mortality, linking the original sin of the biblical narrative directly to the inevitability of death. The stark contrast between the living flesh of the figures and the dry, rigid form of the skeleton provides a visual tension that is characteristic of Beham's graphic output. The print demonstrates the artist's ability to condense complex theological themes into a compact, highly detailed format suitable for collectors of the sixteenth century.