A masterful wood engraving by Timothy Cole, capturing the classical Aeneas group from Raphael's Incendio del Borgo with precise tonal detail.

This wood engraving by Timothy Cole reproduces a specific section of Raphael's fresco, Incendio del Borgo, located in the Vatican. Cole was a master of the wood engraving technique, known for his ability to translate the tonal qualities of Renaissance painting into the precise, linear language of the block. In this scene, Aeneas carries his elderly father, Anchises, away from the burning city of Troy, accompanied by his son, Ascanius. The composition focuses on the physical exertion of the figures, rendered with careful attention to anatomy and the play of light across their musculature.

Cole spent much of his career in Europe, commissioned by The Century Magazine to document the works of the Old Masters. His approach involved working directly from the original paintings, allowing him to capture nuances of texture and shadow that were often lost in other reproductive methods of the era. The engraving demonstrates his technical control, using varied line weights and cross-hatching to simulate the depth and volume of the original fresco. The figures are positioned against a dark, atmospheric background, which directs the viewer's attention to the narrative action of the escape. This print offers a view into the late nineteenth-century practice of interpreting classical art through the medium of printmaking, a discipline that required both technical skill and an understanding of historical composition. The work is signed by the artist in the lower margin, reflecting the high regard in which his reproductive engravings were held during his lifetime.