A detailed seventeenth-century etching by Johann Wilhelm Baur depicting the classical debate between Ajax and Ulysses over the armour of Achilles.

This etching by Johann Wilhelm Baur depicts the classical narrative from Ovid's Metamorphoses, where the Greek heroes Ajax and Ulysses argue over the possession of the armour belonging to the fallen Achilles. Baur, a German artist active during the early seventeenth century, demonstrates his technical proficiency in this work through precise line work and a clear, theatrical arrangement of figures.

The composition is divided into two distinct groups. On the left, the two protagonists stand in debate, their postures conveying the tension of their rivalry. To the right, a large assembly of Greek soldiers observes the proceedings, their spears creating a rhythmic, vertical backdrop that adds depth to the scene. The armour of Achilles lies on the ground between the disputants, serving as the central object of the conflict. Baur employs a fine, controlled etching style to define the textures of the soldiers' garments and the metallic sheen of the weaponry.

Baur spent significant time in Italy, which influenced his approach to classical themes and his ability to manage complex, multi-figure compositions. His work often reflects the influence of Jacques Callot, particularly in the treatment of small-scale figures and the clarity of the narrative. This print captures a moment of high drama, focusing on the rhetorical contest rather than physical combat. The artist uses the surrounding landscape sparingly, allowing the focus to remain on the interaction between the men and the silent, discarded armour. This piece is a representative example of seventeenth-century printmaking, where classical mythology provided a common language for artists to explore themes of honour, pride, and political strategy. The work is marked with the number 118 in the lower right corner, suggesting its origin as part of a larger series illustrating Ovidian tales.