Fine Art Poster
From $29
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Archival giclée
Frames arrive ready to hang
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Made to order
A detailed eighteenth-century engraving by Jean Baptiste Michel depicting a historical encounter between King Alfred III of Mercia and William d'Albanac.
This engraving by Jean Baptiste Michel depicts a scene from the life of Alfred III, King of Mercia. The composition follows the conventions of eighteenth-century history painting, which often drew upon semi-legendary narratives to explore themes of power, nobility, and social hierarchy. The central figure of the King stands in a gesture of reception, while William d'Albanac presents his daughters to the monarch. The figures are rendered with the precise, controlled line work characteristic of the period's reproductive printmaking techniques.
Michel, a French engraver who spent much of his career in London, was frequently employed by publishers such as John Boydell to translate oil paintings into print form. This work demonstrates the technical rigour required to replicate the tonal values of a painted original using only the burin and etching needle. The drapery of the garments, the architectural setting, and the subtle modelling of the human form reflect the influence of the Neoclassical aesthetic, which favoured clarity, balance, and a return to classical ideals of proportion. The inclusion of a coat of arms and a formal dedication at the base of the print indicates its intended audience among the British aristocracy and the educated public of the era.
The scene is staged within a classical interior, framed by an archway and heavy curtains that provide a sense of theatrical depth. The interaction between the figures is formal and restrained, typical of the period's approach to narrative art. By focusing on the interplay of light and shadow across the surfaces of the figures and the stone floor, the artist creates a sense of spatial volume. This print serves as a record of the collaborative relationship between painters and engravers in the late eighteenth century, a period when the dissemination of art through high-quality prints was essential for the reach of historical and literary subjects.
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Our Features
Designed for Lasting Impact
Every Solis piece is made to order with archival, gallery-quality materials built to last.
To keep your artwork looking its best:
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
Made to order
Every piece is printed to order. These are the five finishes, and what makes each one different.
From $29
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
From $89
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
Why Choose Us ?
Damage-free delivery guarantee
Fast Shipping
Museum-Quality Materials
Artist Biography
Jean Baptiste Michel
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