A delicate pastel portrait by American Impressionist Lilla Cabot Perry, capturing her daughter Alice in a soft, atmospheric style.

Lilla Cabot Perry, a central figure in the American Impressionist movement, produced this portrait of her daughter, Alice, using the medium of pastel. The work demonstrates her technical proficiency with the medium, allowing for soft transitions of tone and a delicate application of colour. The subject is depicted in a high-collared white blouse, rendered with light, vertical strokes that suggest the texture of the fabric.

Perry spent significant time in Giverny, where she became a close associate of Claude Monet. This period influenced her approach to light and colour, which is evident in the subtle blue and grey hues present in the background and the highlights on the subject's clothing. The composition is focused on the sitter, with the large, dark hat providing a strong visual contrast to the lighter tones of the face and bodice. The background is treated with diagonal, hatched marks, a technique that creates a sense of movement and prevents the space from appearing static.

This portrait captures a moment of quiet introspection. Perry avoids excessive detail, preferring to suggest form through the interplay of light and shadow. The pastel medium is particularly suited to this approach, as it allows for a soft, atmospheric quality that aligns with the Impressionist interest in capturing the fleeting nature of light. The work remains a clear example of Perry's ability to balance formal portraiture with the looser, more experimental techniques she adopted during her years in France.