Almond Tree in Blossom - Vincent van Gogh
Archival giclée
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Description
A study of a flowering almond tree in Arles, painted by Vincent van Gogh in 1888, capturing the arrival of spring with textured brushwork.
Painted in Arles during the spring of 1888, this work captures the arrival of the season through the flowering of an almond tree. Vincent van Gogh produced several studies of fruit trees in blossom during this period, reflecting his fascination with the transformation of the French countryside as winter receded. The composition focuses on the verticality of the young tree, its branches reaching upward against a backdrop of green fields and a textured, earthy foreground.
The application of paint is characteristic of the artist's technique in the late 1880s. He utilised short, rhythmic brushstrokes to define the form of the trunk and the delicate petals. The palette relies on a contrast between the soft pinks of the blossoms and the varied greens of the grass, creating a sense of natural light. Unlike his later, more famous version of this subject which features a blue sky, this particular study maintains a grounded perspective, focusing on the immediate physical presence of the tree within its environment.
Van Gogh often looked to Japanese woodblock prints for inspiration regarding composition and the use of space. This influence is visible here in the way the tree is positioned, acting as a central element that divides the pictorial plane. The work provides a clear view into his process of observing nature directly, translating the fleeting appearance of spring into a permanent medium. By focusing on a single subject, he was able to experiment with colour relationships and the tactile quality of oil paint on canvas. This piece remains a primary example of his interest in the cycles of nature and his ability to find beauty in simple, everyday subjects.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
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Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Almond Tree in Blossom - Vincent van Gogh
Artist Biography
Vincent Van Gogh
He taught himself to draw by copying prints and working through textbooks. His brother Theo, an art dealer in Paris, sent money every month for the rest of Vincent's life. Without Theo there are no paintings. The letters between them, over 600, are one of the most complete records of any artist's thinking. Van Gogh wrote about colour theory, composition, what he ate, what he read, how much he spent on paint. He was articulate and well-read and not, despite the popular version, simply mad.
He moved to Paris in 1886 and encountered Impressionism. The palette changed immediately: from the dark browns of his Dutch period to the colours people actually associate with his work. He met Gauguin, Pissarro, Signac, Toulouse-Lautrec. He absorbed Pointillism and Japanese prints. Then he moved to Arles in the south of France, where the light was better and people were fewer.
The Arles period produced Sunflowers, The Bedroom, Starry Night Over the Rhone. The breakdown followed: the argument with Gauguin, the severed ear (he cut part of his left ear, not the whole thing), the asylum at Saint-Remy, and then Auvers-sur-Oise, where he painted seventy canvases in seventy days before dying from a gunshot wound at thirty-seven. He sold one painting during his lifetime, or possibly two. Theo died six months later.
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