Amaterasu Ōmikami appearing from the cave - Tsukioka Yoshitoshi
Archival giclée
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Description
A striking woodblock print by Tsukioka Yoshitoshi depicting the sun goddess Amaterasu emerging from her cave, rendered with dramatic light and shadow.
This woodblock print by Tsukioka Yoshitoshi depicts a central episode from Japanese mythology: the emergence of the sun goddess Amaterasu from the Heavenly Rock Cave. Following a period of withdrawal that plunged the world into darkness, the other deities gathered to lure her out. Yoshitoshi captures the moment of transition, using the stark contrast between the deep, ink-black void of the cave and the warm, golden light emanating from within to define the scene.
The composition is structured around the threshold of the cave. To the left, a deity is shown in dynamic motion, gesturing towards the light, while Amaterasu stands to the right, her long, dark hair flowing down her back as she steps into the world. The print is part of the series 'Mirror of Famous Generals of Great Japan', a collection that often blended historical figures with legendary narratives. Yoshitoshi, a master of the late Edo and early Meiji periods, employs precise line work to delineate the folds of the robes and the expressive features of the figures.
The colour palette is restrained, relying on the interplay of black, cream, and muted red to focus the viewer on the narrative action. The inclusion of calligraphic text in the upper right corner provides context for the mythological event, a common feature in ukiyo-e prints of this era. This work demonstrates Yoshitoshi's ability to imbue traditional subjects with a sense of drama and psychological tension. The print serves as a clear example of the technical skill involved in Meiji-era woodblock production, where the balance of negative space and detailed characterisation creates a sense of depth within a two-dimensional plane.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Care and materials
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Multiple sizes and framing options available
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Amaterasu Ōmikami appearing from the cave - Tsukioka Yoshitoshi
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