A study of an angel holding a labarum, painted by Mikhail Vrubel in 1887 during his work on the St. Cyril Church frescoes in Kyiv.

Mikhail Vrubel painted this figure during his time in Kyiv, where he worked on the restoration of the 12th-century frescoes at the St. Cyril Church. This specific work, executed in oil on zinc, demonstrates his engagement with Byzantine aesthetic traditions. The composition features an angel holding a labarum, a military standard, alongside a sphere. The figure is rendered with a distinct angularity, reflecting the influence of medieval mosaics and icon painting.

Vrubel was known for his ability to synthesise historical religious motifs with a modern, personal sensibility. The drapery of the angel's garments is depicted with sharp, faceted lines that suggest a sculptural quality. The colour palette remains restrained, favouring earthy tones, ochre, and deep blues, which align with the sombre atmosphere of the original church interior. The inclusion of a smaller, circular portrait in the lower left corner provides a secondary focus, typical of the iconographic programmes Vrubel studied during this period.

This piece captures a moment of transition in Vrubel's career, as he moved away from academic realism toward the more expressive, symbolic language that defined his later work. The treatment of the angel's face, with its melancholic expression and large, dark eyes, is characteristic of the artist's approach to humanising divine figures. The work functions as a study in form and historical continuity, showing how Vrubel adapted ancient techniques to suit his own artistic vision. By focusing on the structural elements of the drapery and the symbolic weight of the objects held by the angel, Vrubel creates a composition that feels both ancient and immediate. The print reproduces these textures and the specific tonal qualities of the original oil painting, offering a clear view of the artist's technical process.