A striking woodcut by Dutch artist K.P.C. de Bazel, featuring symbolic figures and geometric motifs characteristic of the Nieuwe Kunst movement.

Karel Petrus Cornelis de Bazel was a central figure in the Dutch architectural and design scene at the turn of the twentieth century. This woodcut, titled Argonauten: manlijk en vrouwlijk vuur, reflects the artist's interest in Theosophy and esoteric symbolism, which permeated much of his graphic output. The composition is strictly balanced, featuring a central, bearded figure radiating light from a triangular halo, positioned above a flame. Two figures, one on each side, mirror one another in a gesture of prayer or invocation. The flowing, serpentine forms that connect the central figure to the base introduce a sense of movement, contrasting with the rigid, geometric structure of the frame.

De Bazel utilised the woodcut medium to achieve high-contrast imagery, relying on bold black lines against a neutral paper tone. The aesthetic is characteristic of the Dutch Nieuwe Kunst movement, which sought to integrate spiritual and philosophical concepts into decorative arts. The work avoids naturalistic representation in favour of a stylised, almost hieratic visual language. The figures appear flattened, their forms reduced to essential silhouettes that prioritise symbolic clarity over anatomical accuracy. This approach creates a meditative quality, inviting the viewer to consider the interplay between the masculine and feminine principles suggested by the title. The precision of the lines and the deliberate arrangement of the elements demonstrate de Bazel's background in architectural drafting, where order and proportion were paramount. This print remains a compelling example of the intersection between early modern graphic design and the occult interests that shaped the intellectual climate of the Netherlands during this period.